
Classic·Gothic Fiction
Legends
Gustavo Adolfo Bécquer
Step into the dark, haunting world of Spanish Romanticism with Gustavo Adolfo Bécquer’s legendary tales of ghosts and the supernatural.

“A young governess arrives at a secluded country estate, only to find the children under a terrifying, spectral influence.”
Hired to care for two orphaned siblings at Bly, a secluded English country house, a youthful governess quickly senses an encroaching evil. Flora and Miles seem angelic, yet terrifying apparitions begin to manifest across the grounds. Convinced that the ghosts of former servants seek to corrupt her charges, she vows to protect them at all costs. But as the boundary between reality and obsession blurs, the true nature of the horror remains agonizingly uncertain. Henry James crafts a masterwork of psychological terror where the greatest dread lies in what remains unsaid.
“He took no notice of her; he looked at me, but as if, instead of me, he saw what he spoke of.”
“This convenience, I was told, had been ordered, and I found, toward the close of the June afternoon, a commodious fly in waiting for me.”
“The first day had been, on the whole, as I have expressed, reassuring; but I was to see it wind up in keen apprehension.”
“Her thus turning her back on me was fortunately not, for my just preoccupations, a snub that could check the growth of our mutual esteem.”
“It was not that I didn’t wait, on this occasion, for more, for I was rooted as deeply as I was shaken.”
“It was the idea, the second movement, that led me straight out, as I may say, of the inner chamber of my dread.”
“We were on the edge of the lake, and, as we had lately begun geography, the lake was the Sea of Azof.”
““Oh, for the effect and the feeling, she might have been as close as you!””
“Therefore you might perfectly have made the claim for him if you had not, as it happened, seen an exception to take.”
“I waited and waited, and the days, as they elapsed, took something from my consternation.”
““Well, you know, I thought someone was”—she never blanched as she smiled out that at me.”
“It would tax his invention, certainly, and I felt, this time, over his real embarrassment, a curious thrill of triumph.”
“If on either of these last nights you had been with either child, you would clearly have understood.”
“There were things enough, taking one with another, to chatter about, if one went very fast and knew by instinct when to go round.”
““Look here, my dear, you know,” he charmingly said, “when in the world, please, am I going back to school?””
“I walked round the church, hesitating, hovering; I reflected that I had already, with him, hurt myself beyond repair.”
“The next day, after lessons, Mrs. Grose found a moment to say to me quietly: “Have you written, miss?””
““Oh, thank you!” my friend cried, planted so firm that, taking it in, I went straight on without her.”
““She’s there, you little unhappy thing—there, there, there, and you see her as well as you see me!””
““She persists in denying to you that she saw, or has ever seen, anything?””
“If I had counted on what it would give me to find myself alone with Miles, I speedily perceived, at least, that it would give me a measure.”
““Yet even though we have them,” he returned, still with his hands in his pockets and planted there in front of me, “they don’t much count, do they?””
“I have likened it to a sentinel, but its slow wheel, for a moment, was rather the prowl of a baffled beast.”

Classic·Gothic Fiction
Gustavo Adolfo Bécquer
Step into the dark, haunting world of Spanish Romanticism with Gustavo Adolfo Bécquer’s legendary tales of ghosts and the supernatural.

Classic·Psychological Horror
Charlotte Perkins Gilman
Prescribed absolute rest in an isolated estate, a confined woman begins to see terrifying secrets stir behind the peeling wallpaper.

Classic·Gothic Fiction
Oscar Wilde
An ancient aristocratic phantom meets his match in an unapologetically modern American family determined not to be spooked.
Public-domain work (1898). Text: Project Gutenberg #209. The Spanish version is an AI-assisted translation and may contain errors. Digital edition by Inkora Stories. Learn more