
Classic·Gothic Fiction
Legends
Gustavo Adolfo Bécquer
Step into the dark, haunting world of Spanish Romanticism with Gustavo Adolfo Bécquer’s legendary tales of ghosts and the supernatural.
Ghost Stories of an Antiquary
Complete work

“Scholarly curiosity awakens ancient horrors in the foundational masterpiece of modern English supernatural fiction.”
In cathedral archives, windswept coastal inns, and tranquil Cambridge quadrangles, scholars unearth relics that were better left undisturbed. M. R. James strips supernatural horror of its gothic melodrama, grounding it instead in the quiet dust of academic research. Here, a sinister mezzotint shifts when unobserved, a brass whistle summons an entity from the dunes, and an obscure Latin scrap-book conceals an ancient demonic terror. These eight masterly tales redefined the ghost story, trading ethereal phantoms for tactile, creeping dread and establishing James as the premier architect of the antiquarian nightmare.
““Very well, my little man,” quoth Dennistoun to himself: “you have been warned, and you must take the consequences.””
““My good man!” he said again and again, “your book is worth far more than two hundred and fifty francs, I assure you—far more.””
“Mr Abney was found in his chair, his head thrown back, his face stamped with an expression of rage, fright, and mortal pain.”
““Why, one of the windows on the ground-floor—left of the door—is open.””
“She was hanged a week after the trial, with five or six more unhappy creatures, at Bury St Edmunds.”
““Well, Sir Richard,” she said, “you know that there is but the one room like that in the house.””
“There was an advocate, or Sagförer, a German, and some bagmen from Copenhagen.”
““Then you don’t think there is any particular objection to having a Number 13?” said Anderson.”
““Young idiot!” he said, meaning Salthenius, who was only an undergraduate when he committed that indiscretion, “how did he know what company he was courting?””
““Tales, I was going to say, which I have forgotten,” said the deacon; and soon after that he said good night.”
““Do you call having an extra bed in your room roughing it, Parkins?” said a bluff person opposite.”
“I put it on your chest of drawers, sir, in your room, sir—a piece of a pipe or somethink of that, sir.”
““Ow, I seen it wive at me out of the winder,” wailed the boy, “and I don’t like it.””
““Well, it may as well be done first as last,” and accordingly the following rendering was very quickly produced:”
“The inn where the English gentleman and his servant were lodged is, or was, the only “possible” one in the village.”
“Each of the figures had, as the inscription said, ‘a writing on their vestures which nobody knew’.”
“So far the Abbot’s data had been exact, and, as I thought of this, the anxiety about the ‘guardian’ returned upon me with increased force.”

Classic·Gothic Fiction
Gustavo Adolfo Bécquer
Step into the dark, haunting world of Spanish Romanticism with Gustavo Adolfo Bécquer’s legendary tales of ghosts and the supernatural.

Classic·Psychological Horror
Henry James
A young governess arrives at a secluded country estate, only to find the children under a terrifying, spectral influence.

Classic·Gothic Fiction
Oscar Wilde
An ancient aristocratic phantom meets his match in an unapologetically modern American family determined not to be spooked.
Public-domain work (1904). Text: Project Gutenberg #8486. The Spanish version is an AI-assisted translation and may contain errors. Digital edition by Inkora Stories. Learn more